Post-Christmas 1998 we had a camcorder. Now before we had this camcorder Marty and I may have already been throwing around sitcom ideas, as dummies in their early 20s do. Now we could film our own content. And as fate would have it, I had a computer that you could plug the camcorder into and strip the images from. So “Dad’s” camcorder sort of became the kid’s camcorder rather quickly. Somewhere early into 1999 then, the two of us decided we’d make a home movie, a new take on the 007 genre with Brock Johnson, superspy.
How serious was this, not too bad, we did have a copy of Adobe Premier to edit with and for a few months we filmed a fair amount of footage. Sadly tapping over some footage we didn’t like with new footage, but hey we didn’t have enough money to keep buying tapes. I also think some footage was saved directly to the computer and is now lost to computer recycling without asking me if I wanted to recycle it! But a few hours remain, and of that there is quite a bit of history, maybe not world history, but history. In 2021 I edited it down to a rough 12-minute cut of the random footage, here it goes:
The opening is just a silly production card for Sarlacc Software. Already I have delved a bit into the story of what Sarlacc Software was, I figured years later if I was going to cut what footage we did, it would have to be a Sarlacc production. It’s unfortunate that Sarlacc is probably owned by Disney these days, it was a solid name and worked for my generation as a funny software/studio company name. The short clip is just the Star Wars: Special Edition scene of Boba Fett falling into the Sarlacc pit accompanied by the “Wilhelm” scream, a well-known sound easter age from the Saga. So no real history there just a throwback for the sake of fun.
Alright now we intro the cut, this initial footage was all part of one shoot, that wasn’t really for the Brock Johnson film. Instead, this is footage from a trip to Rico’s pizza, probably on a Saturday or Friday night in Spring of 1999. This will be used a lot in the video, besides this scene where Marty and Justin are discussing what songs Justin can play on the guitar. There will be footage of us waiting for the pizza while trapsing through longs next door, and some footage at home eating the pizza.
Why did we do this? No idea, at the point of filming this, we were just filming a lot of things and that night Marty wanted Rico’s Pizza. Since Marty paid, I have to assume Mom and Dad were home as well, so this was truly just a random shoot. A lot of the footage that is saved and not recorded over from this time will be random since the fall of the project was not seen coming.
In the background though I did work Prince’s Party like its 1999 in for the Sometime in 1999 titling, then Marty will mention Flagpole Sitter, which the music will transition to for the opening credits of the video.
Now we have the opening credits. The first bit of footage has Marty in a suit, this was specific 12-inch Johnson footage. It was a rainy Friday afternoon, Marty arrived from his week at the academy, suited up and we drove to the senior high school, and he ran around being like James Bond, or in our case Brock Johnson. Since we really had no dialog for these scenes, almost all the footage is running around in the high school’s new library. The weird part is I don’t remember Marty having his car for very long, but since we later shot footage from the car this had to be during that time period as well. Which is something that is baffling since I know it wasn’t the Impala from the Reno trip. That will remain a mystery.
After that we transition to footage acquired at the “Death Star” or what I think is the Humanities building at UCD. Well, most of it, I think there is a reel of me walking through freeborn hall. But the winding stairwell, the elevators and the run up the stairs to fight are all at this Death Star building on campus. This is another location we will come back to I think, because from the day this building came to be, kids played at this building. It’s a long history, during its construction in 1994, the same weekend I got the mohawk and upset mother so, Jake and I met up with Alyssa and Mike G. and had a good romp around the construction site that night, the building was almost done, had functional restrooms, but some areas were still being built, so it was just teenagers where they shouldn’t be.
Later on, this would be the location of other incidents, most notably during high school of two big events, one it was the starting location of events that cumulated into Karl driving his truck through central park as they chased some younger kids on their bikes. Also, the Death Star was where we had the cap guns that one night that led to Karl and Marty getting pulled over at gunpoint later in the night. Which in a way was the catalyst for a week or two later when Karl spent the night in juvenile hall. Obviously here Marty and I are, older, and were still using the site.
The intro then has a half second shot inside the old Supercuts downtown where Marty got a haircut, and we, yup filmed that trip. Then we get to another prominent outside filming location which is Holmes Junior High. We filmed a lot of action footage and some bad nonsense dialog there. Most of what is featured is the fight between Marty and Justin, but there is some shots of the “dialog” and Marty and Justin running towards the camera. This is all the same shoot, so yes, we were there until it was dark and kept going.
Holmes being so close to the house was always a much used location for playing basketball and football and general hanging around. Back in our younger days when returning to the junior high at night Marty was known to carve in his BBS warez group initials into doors and lockers for everyone to see. I wonder how many years the school district though there was some gang of kids calling themselves DGz, instead of realizing it was just Marty.
Now we have what amounts to the rough-cut introduction to the whatever footage we shot around the house. This scene is of Marty playing a FF4 tune on the piano. The piece he is playing is called Mystic Mysidia. I will fade his playing of the song into an actual audio file of the song for the background of the upcoming footage.
It was weird that we grew up with the two pianos in the house, always there. This one, the K. Kawaii was Mom’s grand piano and thus I think all the times we hear live piano in the video it comes from the big boy. But Mom’s other baby grand piano was a Yamaha. That one was around since before I was born and in some ways is what I imagine as the quintessential look of what a piano is. Over the years the studio and prior to that living room, would sport those two gran pianos, a harpsichord, an upright piano that Mom gave to Steve and Jill and of course later in time a PC with a specialized piano keyboard for students to do more exercises on.
The K. Kawaii in this case will feature throughout the video clips since we filmed a lot of footage that wasn’t deleted on it.
Now we enter footage from around the world, or Davis. The first section is a walkthrough of Steve’s Pizza downtown and comes from the same trip Marty took to the Supercuts. I featured this footage not only because its one long cut going through an established place in downtown, but because using Steve’s Pizza as a shortcut while downtown wasn’t an uncommon behavior.
One of the more telling parts of this whole filming quest, was other than one day we did all of the location shooting on foot. As in we walked downtown then filmed walking around downtown. This was a definite byproduct of getting the license suspended in 1996. Since I wasn’t driving and just biking to school in town before I dropped out to do the web sites full time, I hadn’t looked into a car to get around. Since I know was just working from home there wasn’t much need and so getting to the bottom of the suspended non existent license was still looming.
The Mysidia song continues, and we are met with the footage from the Longs Drugs store around the corner from the L street house. This was all while waiting for the some pizza at the nearby Rico’s Pizza. I think I filmed the entire time, so there is a ton of footage. Pictured above was a long interaction of looking at the 007 diecast cars and a funny interaction about selling the upside down packaged car on eBay. This may be like mere weeks before Dad got big into selling diecast cars on eBay oddly enough. In fact, he may have been dabbling already, but I know it wasn’t until the preliminary Star Wars Episode One toys started coming out that he started going on the toy runs with me all the time.
Also in there is some use of the “shaky” footage which was an effect the camera had on it, Justin plays a bit of hide and seek, and for outsiders it’s time to wonder if this footage matches up with the downtown footage. It doesn’t, Marty just happened to wear that same track suit a lot, and Justin’s and my own look almost had no variants in attire either. As most men, we are starting the stage where we grow into our uniforms that we will stick too most of our lives. But this night was completely separate from that day. Different tapes even.
Now we leave the commercial version of the Mysidia song and go back to Marty and Justin at the pianos. This is different footage of him playing the same song, this time with Justin on the guitar. The other comes from another tape where we happened to film a little bit of piano footage. This one on the other hand is later that night from the Rico’s Pizza footage. After eating I was being a lazy bear and just filmed them playing in the studio. Years later it made neat transitions for an old home video cut. This time Marty will start off trying to play the same song, but will get off topic with it and Justin will follow, after using this as a transition it will meld into other video clips.
But it does show how much FF4 stuck around. This is 1999, now some eight years since the game came out, and there have been four newer titles, but now on multiple pieces of footage we have Marty playing the same song from the older game.
The next bit of footage is one straight cut, even the split second of me sitting at the computer, which is obviously from some footage we taped over. Like I said too bad we didn’t have the money to just keep buying tapes or I’d have a lot of footage. Anyway, this shot brings up the mystery of when Marty had a car and when certain things happened. This scene is literally just me filming out the window as the world goes by on the way home. In the unedited footage you can hear that Marty is upset we missed a shot from the car already and that he needs to change out of the suit. All this culminates into knowing this was a Friday and probably right when he arrived home from the Police Academy, since the footage from the high school still has some kids on campus. It also accounts for the mysterious bike in the front yard of the house which must have been a student taking lessons from Mom at the time.
Marty’s parking job gives us all a good look at Dad’s bushes during the height of their existence in the front yard. Also, this was when Mom was driving the Music Lady (the Mercury Tracer) and Dad had his pickup. Funny, me being cheap would eventually have both cars as my own as hand me downs in the years that follow. The music lady most notably. Both cars would make trips to Comic Con and eventually we’d trade in both to get Mom her little red Toyota Yaris, which was her last car. It’s also pretty funny to see the broken basketball hoop was still up at this time, it was broken for years (I think we collapsed it around 1994), and I didn’t realize how long it stayed attached to the house (the video is from 1999).
Suddenly we jump to some easter footage, although it’s just Marty sitting in my room playing Goldeneye. As a kid we did most everything at the L street house, so it wasn’t until I was older that I realized it takes a while to feel comfortable at someone else’s home. Even more so on holiday to get bored with tormenting Krystle and Meghan enough to go back to the room, kick back in the recliner and start up some Goldeneye on your own. Of course, at this point deep into 1999, I think Marty has spent every weekend at the house.
It’s weird in retrospect to think about how much both he and Chris M. spent time in the house like it was their own. I don’t know that’s probably something they can expand on in great detail. But it is one of the reasons I was sad to see my folks sell the L street house and leave for Texas, the L street house was just a home to a lot more people than just the census residents and will be missed for a long time to come.
The current picture is also great fun for me because it is such a slice of time shot, I see the free Xena: Warrior Princess poster that was sent to me for hosting a Xena webpage on the DCN site back in like 97 or 98. I think it was the first real form of payment I ever got for anything web related, since the Xena page was really more of an exercise in figuring out what one could do with a webpage. But I got it up and running and looking spiffy enough to be sent a poster in appreciation. Yup this was the start of media crossing into the internet, and no one knew what to do, rewarding people for louting your show seems to me still one of the better ideas.
Next to the poster you can see the piles of VHS tapes I worked with. This was a product of the video capturing I was doing back then. It wasn’t something a lot of people were doing at the time, and still images from current episodes of popular TV shows were, oddly enough, things people wanted. Also, luckily timed, VHS tapes were dirt cheap now, so I could record tons of TV and then snatch pictures of the tapes. We had two VCRs in the house too, so I won’t confirm nor deny, but maybe I sold a few seasons of some of the shows to rabid fans over the years. A supplier of box sets before DVDs would come and supply that need for them.
Anyway, that quick shot is followed by some footage of a hailstorm that must have hit that year. Which once again shows off the current driveway of my future rides along with the unusual look of hail piled on the valley floor in California.
Then we get a hard music transition to the footage of me, Justin, and Marty walking downtown for Marty’s haircut. There is another call out to play some GWAR, I don’t remember how the GWAR request joke became a thing, but its traceable back to the earliest websites I was making on DCN where we had a link up to a picture of GWAR.
I say I don’t remember but a part of my brain thinks the GWAR jokes came from Marty and his passive aggressive nature with Jake. Jake although gone still hung over the house with him and I think bring up GWAR as the messiest metal music Marty could think of helped satisfy a need. It is a weird pick though since Jake will always be associated with Cannibal Corpse. Maybe we had just recently seen some GWAR video and Marty got inspired.
Now we start to get a montage of footage from that stroll downtown, including good old Davis kid jaywalking. Along with other sites, which could almost be called classic Davis.
Then we get met with this scene. Being creepers, in this case Justin and Marty, and being an enabler, in this case me, Marty started to pose as though he was a UCD student doing a student news reel on an attempt to repeal helmet laws in town, or maybe the State, if I recall correctly. What they were actually doing was using that cover to film girls. For this cut though I took out Marty’s setup question, which was about the helmet law and inject a line Marty said at Rico’s Pizza to an older gentleman who was asking us what we were filming that night. This line is, “Brock Johnson, superspy.” Which I don’t think was the working title, just what Marty said since the gentlemen was getting way to familiar with us, as far as striking up a long conversation with strangers.
Then I cut to the young blonde lady saying something to likes of, “It’s your right if you want to die.” Which makes for a much better on the street interview. Once we close away from that shot, we get a quick bullying clip at the Death Star building on campus. Marty, always one to point out the nerdier behavior that was a foot found a group of gamers either heading home or setting up something and called out to them. Then after that we are back in the studio.
Then quickly we cut back to easter. Earlier I had Marty in my room playing Goldeneye, but for a while that day Marty and I just filmed easter. This was after all part of the point of the camcorder, to film family events. We had Christmas that year prior, this was going to be the next holiday video. Little did we know Justin was weeks away from dropping a VHS tape on the LCD screen and the whole camcorder breaking. Then of course taking it back to Good Guys and being told the warranty doesn’t cover, well anything. It would have been interesting to have had more time with the camcorder, however with the cost of hi8 and reluctance to just buy a bunch of tapes at the time we might have lost even more than the variety we gained. Maybe, if the camera would have lasted for years, that sheer time with it would have won out over tapping over older video.
A lot of the footage that stays from that day is Krystle avoiding the camera as though it would her turn her skin to pudding if she looked directly at it, or a period of time dedicated to Marty trying to get Meghan to throw a fit over Tomb Raider. Of course, Meghan is playing Tomb Raider 2, so that ties nicely into the Christmas the camera came from. However, Marty’s attempts are strange since she is playing the game she wants, so why would she throw a tantrum? Another thing to remember the famous Meghan blow up over Tomb Raider was for the original, which was getting close to three years old by this time, which changes Meghan’s age quite a bit from pre-teen to teen. But in families it’s hard to outlive overly dramatic events and Meghan will always have the Tomb Raider blow up on her resume.
Hell, I still remember Justin and Krystle’s alternate Nirvana lyrics when from when I was in junior high. I think I told Justin about this later in life and he just doesn’t remember his initial thoughts on the Smells Like Teen Spirit’s lyrics. I’ll give a hint, one line was, “Come let’s play now at the playground”. They were in elementary school at the time, it makes sense in a world perspective kind of way. Justin of course would grow up to idolize the band, so his kid bop version probably got sent to the shredder on his internal hard drive.
This easter also probably features some of the earliest footage of Michael, whom was just born. Mom, Dad, Steve, Jill, Bob, and Julie are all on the dining room during the easter footage wooing over the little baby. The easter footage is also devoid of Justin who if I recall correctly had run himself afoul of the law and was in a weird state of limbo with Steve this weekend. His issue would carry on for a time and is why Justin features in a lot of the camera footage along with being the destroyer of the camcorder, because he was having to hide out at Grandma’s house while Steve settled down his anger.
Now I think we really fall into the random cuts from all sorts of different things I found in the footage. I really tried to get the best cross sample of all that was on there possible.
This includes some skateboardery, Karl working at Tower records, me walking through Longs Drugs, from I think the Rico’s Pizza footage again. This means Rico’s Pizza was post easter, since we can see some peeps in a clearance cart on the way in along with Justin being present here after the easter debacle. Then the long cut of JF focused in on Goldeneye. I held this transition because its JF, his attempts at being off camera were so silly, that Marty one night just turned on the camcorder near the tv and let it run without JF knowing for the entirety of the tape. So, one tape, whenever we paused filming would have a frame or two of this, and of course the last few minutes of the tape are nothing but this shot. We zoom in on JF just because he deserves it for being JF.
Those shots though are another good look into the hold Goldeneye had for a time on multiplayer gaming in the house. It was the successor on the consoles in a weird way to Street Fighter II. Sure, some of the PC games had multiplayer which we have delved into, but Marty and JF prior to 98/97 had been die hard on the SNES fighting games, or in the arcades, which after all is where we met JF. Now this one game on a console we wouldn’t have cared about otherwise took hours of our time.
The unbroken footage at the end, more than some other Goldeneye footage I have gets into the vocabulary a bit that went along with the game. We had a set of rules in the game we liked to play with that causes for some colorful language. If I recall we always played one shot kills and usually picked the weapon set that featured the proximity mines, causing the most cowardice of gameplay since one wrong move would spell instant death to the foolish.
So, the filming of random girls as a creepy guy has been around forever, it’s not new to cell phones. I think this was the start of it that day. This is what led to asking about the “attempt to repeal bike helmets”. What is particular to this frame is though, was while Marty was getting the haircut, there is a movie theater across the street and somehow we ended up inside the theater with the video camera. I’ll tell you what my mood is at this point, bored. While not in this video, there is a funny section of Justin going over the coming soon posters, they were 10 Things I Hate About You, and Star Wars: The Phantom Menace. Both films that have stuck around, also two film I went to the theater to see with Hien. Go figure. We will come back to the camcorder footage for now though:
Back to the Rico’s Pizza night footage. Eventually we get back from Rico’s and ate the pizza. Oddly we don’t have a lot of decent pictures from this side of the kitchen table that Justin got of me and Marty. Also, oddly we decided to use the kitchen table instead of going into the dining room. There on the hutch sit Mom’s array of cookbooks and of course the glass doors that years later one Jim Russell would hit with Karl’s white chocolate Kit Kat bar.
You can’t make it out to well in this picture but the pizza we ordered that night was some sort of meat extravaganza. In the footage Marty is rattling of some rant, which I think was some sort of inside joke at the time, and I replied with “Hey man, how’s it going?” which was also an inside joke at the time. However, the origins of that statement have escaped me, maybe I’ll remember one of these days and update this, or however reads this eons later will have a mystery to uncover. But boy do I remember that we though that line was funny as hell.
The next bit of footage lets us get to see the inside of Tower Records in Davis for a bit. Inside we get a decent look at how extensive the magazine section was before the internet got a grasp on everyone. Like I said by now I make a bit of a living off the internet, but it’s still not a known commodity and payment for doing so is odd, including sometimes getting a poster in the mail. Then we get to the above picture, which is when those two realize I walked down from the kitchen table and the last of the meat pizza we had been enjoying. To film them as they tried to figure out a way to jam to the Mysdia song. Earlier we saw some footage from the other side of the studio, well that was filmed later once they knew I was laying there on the dining table filming them. Before then everything was a covert operation, so the conversation they have about what to play, no hamming it up for the camera.
I don’t know if I thought centering a “jam session” around an old FF4 song was nerdy and I needed to catch them in the act, or if by this time the need for more and more footage of whatever was the driving force behind the filming, in the end, decades later for a short home video cut it was genius.
Then we shuffle back to being outside of Rico’s Pizza again while waiting for the pie, some bowling at the UCD Memorial Union (which connects to Lower Freeborn Hall and KDVS), and filming at the movie theater. It’s not until a badly lit shot of Marty do we get to something new. This is from about a ten minute reel of what is basically low impact at home wrestling.
This part is Marty getting announced, as Martin Caprigleon, and then his opponent is “The Medium” which is just Justin sitting on the couch, currently unamused. It actually takes a few minutes of attacking for Justin to get up, then it’s just me and Marty taking turns trying to body slam medium in the living room without causing such a disturbance as to wake anyone up. The interesting thing about some of this low light, low-res footage, is once you erase some of the details in Marty’s face, he can start to look a lot like Chris M.
Anyway, the footage is probably only funny to the three of us that were there and I think was just so Marty could mess with Justin. Without Chris M. around anymore to make up names for Marty always needed someone to be at the low end of the totem pole. Hien also got some of this, but to be fair one of his nicknames was the fault of UCD. Where they look his name, threw it out and called him Haly.
Confirmation it’s the 90s, and that we were at DHS on a Friday, since there were people there, which wouldn’t be the case on a Saturday or Sunday afternoon. Overalls might make a comeback. But they do symbolize exactly when we were. Which is a good thing, while the family footage probably features the same thing, I have solid memories of them at those times and who they are, it’s not until you get random footage out in the wilds that the brain must remember the clothes and the times. Quite reflective.
Then we go back to Holmes, the junior high school. Like I said we filmed until it got dark and then kept going. A lot of this footage is similar to the stuff from the intro of the footage, barring some weird tactical spying Marty is doing of the MPR, where some sort of event or rehearsal was going on that night.
The music Marty and Justin have been playing in the background from the piano studio footage also starts to take a turn, which will eventually leads into Marty starting another FF4 song that I will use for the ending transition. There is still some other footage to go though, but drawing back to the odd importance that FF4 was able to hold over our minds for years in the 90s needs to get getting pointed out.
The footage in the shot was of a long interaction Marty and Justin had, where they did some “acting”. Marty as always was pretending to be some form of law enforcement and had stopped Justin, an innocent skater in front of a school portable. Don’t fret the details, I guess. Anyway, after a long time of Marty trying to assert dominance, Justin, whose character seems to be a smart ass, I guess, challenges Marty’s authority (I think that South Park episode was out by early 1999) and a melee ensues, Justin using the skateboard as a weapon to end his detainment. This isn’t terribly different than how our fake pull overs in front of the L street house played out a couple years prior with Marty. He would go through the dialog then someone would challenge, and fake violence would be the course.
And now some new footage. I haven’t been able to figure out the point of the footage Marty and I did this night that features the above picture. It was another one of those, well just turn the camera on and go nights. Counting money, showing his ID, we went outside so Marty could use the blender and not wake anyone up, since its past midnight, which is something I show off to everyone in the raw footage. It’s interesting to note that by 1999 Mom had moved her quilt with the medieval musicians out of the living room. I think it’s now in the piano studio, but I don’t think I have an angle on the wall it would be on. But I thought it was in the living room for the entire sum of the 90s. Good to see this footage brings to light more information about the past.
Obviously, the above picture is just of Marty swinging a whiffle ball bat. The whiffle ball bat being an odd prop that stayed around the house for years. We haven’t had any big whiffle games since the eighth grade, which is at this point in time around seven years in the past, but the bats remain. We see Marty with the same bat in the Christmas footage from 1998 a few months before this. This was the bat if I recall correctly that Steve was using to try and hit wadded up wrapping paper during that Christmas, to the horror of Mom and how close his swings were to our Aunt Dorothy.
And then we have soup. Those bowls and Campbell’s Chunky soup were a house staple. But it’s not just chunky soup mind you, no it is soup, with shredded cheese, hot sauce and crackers. It’s a damn meal. At this point on the hot sauce trail, that is going to be Tabasco or Crystal sauce going in the soup, but as the years go on that Tabasco sauce is going to be like adding water to the soup compared to the later versions of house chunky soup and the hot sauces we use. But while Ramen seems to get so much hype over the years as kids go to meals in the house, busting open the chunky soup, putting it in the microwave for 3 ½ minutes then adding cheese, crackers, and hot sauce was just as much a staple as those nummy nummy tapeworms of ramen noodles..
After some dramatic music and Marty slow walking a fall through the front room we are met with this small sequence. While boring to most, super interesting to me. So, this was taken probably late January of 1999. I’m pretty sure this was older footage I had just shot around my room, and going up and down the block, that I made when testing things on the camara not long after Christmas. I wrote about that Utah trip in 1997, where I got back into trying to collect all the little plastic Star Wars men. By 1999 I was still doing so, I would buy ones I didn’t have and would carefully pin them to the wall as I got them. Well, there they are hanging in rows behind the computer monitor. Not long after the “preview” waves of the new Star Wars movie will start coming out, and then the new movie itself, and that wall will start getting red backed cards to go with the green and orange that you see before you, actually all the orange ones might be to the other side of the television.
After those little plastic guys, the footage itself is meant to be me seeing how well the camera could record the video the computer monitor. Like I said, little did we understand how much resolution would change in the next ten years. All this is to show a post on one thread on the Katie-holmes.com message forums. This is at least real time footage of the forums on the site which were vibrantly healthy at the time, with the banner ads going full steam and then we see the click of a link to load the next post to see how well it played out on the camcorder. You can’t really read a thing, so, not well.
The monitor itself is adorned with a Pressure Point sticker. One of the things I did when delving into the web design world was throw up websites for my friend’s bands. Silvara’s would be an age long dance and was due in a few months for a major redesign spurned on by Jim joining the band. Pressure Point was a punk band that Mike G., of KDVS fame, was in. The sticker was something I scanned into the computer to make the banner for their sight and then just added to the monitor for good times.
Now we cycle back to the UCD campus, what building we are in is something I may research at some point, but that is all beside the point. The stairwells, the hallways, these were part of some idea Marty had for me being followed for the actual Brock Johnson movie. Honestly a lot of the “scenery” shots we took I didn’t add to this little rough cut in favor of more slice of life footage, but this was intended to be some actual 12 inch Johnson. Or at least “test” footage. So, for a good long time I just walked up and down stairs, back and forth through hallways and in and outdoors all over UCD. I think mixed in here is a ½ second of Joe T. outside of the movie theater, kids had jobs what can I say.
Now we start to close out the edit, this shot was of some Saturday morning when Marty was “testing” out his “funk” background music, just before the snapshot. This is more “slice of life” stuff. As I said, during this time Marty would come in Friday and stay the weekend, I may have mentioned that by now. I also think Mom and Dad would volunteer at the Oakland Mormon temple, either every Saturday or every other Saturday. Thus, a lot of filming was done Saturday after getting up around noon and making lunchfast, sometimes out of Chunky soup. Obviously, some days were just less focused and probably centered around a lot of video games and internet use. But Saturday “mornings” felt a lot like the video footage we have of it, a nice careless world.
Anyway, so then we get Marty transition as I said into a different FF4 song, and I just used that to cut to the end, since there really is no ending point to random footage of a non-existent movie. For a close I used the footage of Justin and Marty walking away from Rico’s Pizza after picking up that night’s dinner. The sound is edited out since as we left, this was when some older man engaged Marty in a conversation about what and why we were filming, which is where I got the “Brock Johnson superspy” quote from. Then I just fade into some credits with more recent pictures of the boys. All in all, a fun little thing to cut up and hopefully keep around. Jogs a fair number of memories.
There is a point in one of the videos where my nephew is filming a girl in one of the local theaters, that he found attractive. During this he closes in on a poster for a soon to be released film in the next month, Star Wars Episode One The Phantom Menace. We know this because I’ve no mentioned it a few times. Well that’s interesting because I don’t relate the way my life changed post that films release to being that close to the same time that Marty and I running around trying to make 12 inch Johnson the movie. But there it was, in just a few weeks from that zoom in I would meet Jen and work on yeeting myself the hell out of Davis to be with her. Maybe that’s a silly way to say it, but if that April you would have told 21-year-old me that next year I’d be old hand of the city of San Diego, I wouldn’t have been able to understand how I would get there from Davis in the first place. Anyway it’s time for TPM to become a reality.
Below is the current cut of the edits: